![]() (Helpful hint : Gaffer tape comes in Chroma Green and Blue and can be a lifesaver for fixing problem spots.) Correcting this in post processing is Soooo much harder than fixing before recording. Whether you are using a solid cloth backdrop, a piece of colored foam board, or even a smooth painted wall, make sure the surface is free of wrinkles, scratches, tears, or anything else that will appear as “texture” even after the color has been removed. Keep as much separation between your background and subject as possible to avoid unwanted color spill. Light the background first before adding subject light. If lighting a large area, add V-Flaps, large softboxes or other diffusing methods to evenly distribute the light while avoiding hot (bright) or dark areas. Removing backgrounds with Chroma Key is GREATLY aided if the background is evenly lit at about 40-50% luminance. Software is optimized to remove green with the pantone color matching system (PMS) of 354C and blue with a PMS of 2728C so choose your background to match those hues as close as possible. don’t shoot against a green screen if your subject is wearing a green shirt or they will end up with a hole in their chests!). The choice to use one or the other should be dictated by the predominant color of the subject (i.e. Green or blue or often chosen for Chroma Key backgrounds as they are the easiest to isolate background from the subject matter. This magical effect can be used for such a wide variety of subjects and scenes, and the process is made so much more effective when you follow a few simple tips. While often-called Green Screen compositing, Chroma Key effects are achieved when shooting a subject against a solid color background that can be quickly removed in post processing. ![]() ![]() Your subject is now ready to be composited onto a new background or used in your project.We’ve all enjoyed watching the effects of seeing people or objects superimposed into a scene made possible by the power of Chroma Key compositing. Your green screen will now be removed from the footage, and your subject will be properly isolated.Ĭongratulations! You have successfully removed the green screen from your footage using Adobe After Effects and the Keylight effect.Change the View mode back to “Final Result” under the View drop-down menu. ![]() This ensures that the edges are properly keyed out. Under the Screen Matte settings, decrease the “Clip White” value until you see a solid white color on your subject.Your footage will turn black and white, with the subject appearing white against a black background.Under the “View” drop-down menu in the Effect Controls panel, select “Screen Matte.”.Once selected, the Keylight effect will automatically key out the green color.Use the eye dropper to select the green color from your footage (the color you want to remove).In the Effect Controls panel, click on the Screen Color eye dropper tool.Search for the “Keylight (1.2)” effect and drag it onto your green screen footage layer.Right-click on the footage in the Project panel and choose “New Composition from Selection.”.Go to the File menu and import your green screen footage.Step-by-Step Guide to Remove the Green Screen from Videos:
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